Flutist · trained at mdw Vienna
Audition preparationfor flute players
Technique, breath, and the part nobody talks about.
I prepare flute players for music university auditions — and take on students already at university, when a technical problem will not move.
Breitenfurt bei Wien · Vienna · online worldwideWho I work with
Three kinds of people find me
Applicants
You are preparing for an entrance audition at a music university, bachelor or master, anywhere in the world.
Students
You are already studying, and a degree recital or final exam is coming.
Anyone stuck
Something technical will not move, and it has not moved for a while. I work confidentially, and alongside your own teacher — never instead of them.
Not a flute player
Technical work is flute-specific. Breath, nerves and performance preparation are not — they apply to any instrument and to singers. Write to me and we will see whether it fits.
Other instruments
Breath, nerves and preparing to perform are not flute-specific — and that is where most people are actually stuck. If you play something else, or sing, those sessions are open to you too.
How it begins
Start with one session
Ninety minutes — in Breitenfurt bei Wien, in Vienna, or online. You play, I listen, and we talk about where you are, where you want to get to, and what it will realistically take.
Afterwards you keep the recording of the session, and we plan everything together in detail: what to work on first, in what order, what your realistic timeline is, and how often we should meet.
Most people book this before committing to anything longer. It is the honest way to find out whether we work well together.
Rates
Working together
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First session
€150 · 90 minWhere you stand, where you are going, and what it takes. In Breitenfurt bei Wien, in Vienna, or online.
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Single lesson
€100 · 60 minTechnique, repertoire, breath, or whatever is in the way that week.
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Block of ten lessons
€1,000Used at whatever pace your timeline needs, with messaging support in between.
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The Audition Year
€500 / monthFull preparation from September until your audition. Four to five places each year.
Technique work is for flute players — that is my instrument and I will not pretend otherwise. Breath, mental preparation and performance nutrition are open to any instrument, and to singers.
For online lessons we both need a stable connection and a decent microphone. I check your setup with you in the first minutes — it makes more difference than most people expect.
September to audition day
The Audition Year
From September until the day you audition, one person carries the whole thing with you: your programme, your body, your nerves and your deadlines, all pulling in the same direction.
- Regular lessons on technique and repertoire
- Programme planning for each school
- Breathwork
- Mental preparation
- Nutrition around performance days
- Body balance and conditioning
- Pre-screening recordings that represent you
- Live run-throughs with a pianist in Vienna
- Deadlines, forms and applications
- Reachable between lessons
Four to five places · €500 per month
I keep the number small because this is close work, and I cannot do it well for twenty people. If the places are taken, the block of ten lessons covers most of the same ground.
Two days in Vienna
Real performance training
Playing well in a practice room and playing well in front of a jury are two different skills. The second one can be trained, and almost nobody trains it.
An intensive weekend for six to eight players: a hall, a pianist, and your programme run under audition conditions — more than once, so that what you learn in the first run can be used in the next. Breath and mental work in the group, and the chance to hear what everyone else is bringing.
After each run you have an individual lesson with me on exactly what the performance exposed. That is where the progress happens: the run reveals it, the lesson fixes it.
Open to everyone, not only to Audition Year students. Players travel from abroad for it, and many come back.
Audition Year students have priority and a reduced fee. Dates and price announced in autumn.
For colleagues
For teachers
Two things I offer to colleagues, one to one or as continuing education for music schools and associations.
Flute
Technique, air, sound, and the problems that keep coming back in your own studio. For flute teachers.
Breath and the mind
Performance anxiety, breath, and the psychological side of studying music: what surfaces in students, why it surfaces, and what to do with it. For teachers of any instrument.
Available as a half day or a full day. Write to me for a proposal.
About me
Iris Maass

Iris Maass is an Austrian flutist and teacher based in Vienna. She studied flute performance at the University of Music and Performing Arts Vienna with Sonja Korak, holding a Master’s degree in Concert Performance and a Bachelor’s degree in Instrumental Music Pedagogy, and is currently completing an MBA at Middlesex University London.
At sixteen she won third prize at the Severino Gazzelloni International Flute Competition in Italy. The following year she was the overall winner of the International Flute Competition Flautiada in Bratislava. Further first prizes followed in Bratislava, Varaždin, Klosterneuburg and Vienna, along with three Gold prizes at the Austrian national Prima la Musica competition — where she now sits on the jury herself.
As a soloist, Iris Maass has performed internationally and was given the opportunity to present a solo recital at the Wiener Musikverein as part of the Jeunesse Start-Up concert series. She has also appeared with orchestras including the Košice State Philharmonic, the Kharkiv University Orchestra, the Tyrolean State Youth Orchestra and the Franz Schmidt Chamber Orchestra. Her concert activity has taken her to Japan, Ukraine, Italy, China, Slovakia and Germany. In 2018, she participated in the Naxos recording Die Symphonie des Lebens with soprano Eva Lind. She regularly performs with a variety of orchestras and ensembles throughout Austria, and has held fixed-term contracts as second flute and piccolo with the Volksoper Wien and the Stadttheater Baden, as well as working as a substitute musician with the Volksoper Wien, Synchron Stage Vienna and Bühne Baden. Her professional experience spans opera, symphonic repertoire, chamber music, studio recordings and traditional Viennese concert programmes.
Since 2020 she has taught flute at the Johann Sebastian Bach Music School in Vienna, where she leads the gifted students programme for flute and teaches in the Special Classes, a collaboration with the Leonard Bernstein Institute at the mdw. Her students have been admitted to music universities and have won prizes at national and international competitions. In 2022 she was appointed assistant director of the school.
Her teaching draws on more than her playing. She trained in breathwork, and before music took over she was a competitive athlete in vaulting. Breath, physical awareness and mental resilience are treated here as part of musical development, not as something that sits outside it.
Having faced competitions, auditions and professional performance from an early age, she knows the pressure young musicians live under. Difficulty, self-doubt and stage anxiety are not evidence of insufficient talent — they are part of what this work does to people, and they can be worked with. Her aim is that her students leave with the technique and artistry a career demands, and with the confidence to sustain one.
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